In "Mary French," Dos Passos draws a definitive line between his feelings on capitalism and socialism, as well as the rich and the poor. The parallel lives of Eveline Johnson and Mary French reveal Dos Passos's distinct attitudes in regards to the upper and lower classes of society. As a member of high society, Eveline Johnson exemplifies Dos Passos's attitudes of the rich. These attitudes begin to take shape as Mary French enters the party, "Eveline Johnson was ushering them through some sliding doors into a high-ceilinged room dusky from shaded lights and cigarettesmoke where they were swallowed up in a jam of welldressed people talking and making faces and tossing their heads over cockta